NOW that we’re almost settled in our house | |
I’ll name the friends that cannot sup with us | |
Beside a fire of turf in the ancient tower, | |
And having talked to some late hour | |
Climb up the narrow winding stair to bed: | 5 |
Discoverers of forgotten truth | |
Or mere companions of my youth, | |
All, all are in my thoughts to-night, being dead. | |
Always we’d have the new friend meet the old, | |
And we are hurt if either friend seem cold, | 10 |
And there is salt to lengthen out the smart | |
In the affections of our heart, | |
And quarrels are blown up upon that head; | |
But not a friend that I would bring | |
This night can set us quarrelling, | 15 |
For all that come into my mind are dead. | |
Lionel Johnson comes the first to mind, | |
That loved his learning better than mankind, | |
Though courteous to the worst; much falling he | |
Brooded upon sanctity | 20 |
Till all his Greek and Latin learning seemed | |
A long blast upon the horn that brought | |
A little nearer to his thought | |
A measureless consummation that he dreamed. | |
And that enquiring man John Synge comes next, | 25 |
That dying chose the living world for text | |
And never could have rested in the tomb | |
But that, long travelling, he had come | |
Towards nightfall upon certain set apart | |
In a most desolate stony place, | 30 |
Towards nightfall upon a race | |
Passionate and simple like his heart. | |
And then I think of old George Pollexfen, | |
In muscular youth well known to Mayo men | |
For horsemanship at meets or at racecourses, | 35 |
That could have shown how purebred horses | |
And solid men, for all their passion, live | |
But as the outrageous stars incline | |
By opposition, square and trine; | |
Having grown sluggish and contemplative. | 40 |
They were my close companions many a year, | |
A portion of my mind and life, as it were, | |
And now their breathless faces seem to look | |
Out of some old picture-book; | |
I am accustomed to their lack of breath, | 45 |
But not that my dear friend’s dear son, | |
Our Sidney and our perfect man, | |
Could share in that discourtesy of death. | |
For all things the delighted eye now sees | |
Were loved by him; the old storm-broken trees | 50 |
That cast their shadows upon road and bridge; | |
The tower set on the stream’s edge; | |
The ford where drinking cattle make a stir | |
Nightly, and startled by that sound | |
The water-hen must change her ground; | 55 |
He might have been your heartiest welcomer. | |
When with the Galway foxhounds he would ride | |
From Castle Taylor to the Roxborough side | |
Or Esserkelly plain, few kept his pace; | |
At Mooneen he had leaped a place | 60 |
So perilous that half the astonished meet | |
Had shut their eyes, and where was it | |
He rode a race without a bit? | |
And yet his mind outran the horses’ feet. | |
We dreamed that a great painter had been born | 65 |
To cold Clare rock and Galway rock and thorn, | |
To that stern colour and that delicate line | |
That are our secret discipline | |
Wherein the gazing heart doubles her might. | |
Soldier, scholar, horseman, he, | 70 |
And yet he had the intensity | |
To have published all to be a world’s delight. | |
What other could so well have counselled us | |
In all lovely intricacies of a house | |
As he that practised or that understood | 75 |
All work in metal or in wood, | |
In moulded plaster or in carven stone? | |
Soldier, scholar, horseman, he, | |
And all he did done perfectly | |
As though he had but that one trade alone. | 80 |
Some burn damp fagots, others may consume | |
The entire combustible world in one small room | |
As though dried straw, and if we turn about | |
The bare chimney is gone black out | |
Because the work had finished in that flare. | 85 |
Soldier, scholar, horseman, he, | |
As ’twere all life’s epitome. | |
What made us dream that he could comb grey hair? | |
I had thought, seeing how bitter is that wind | |
That shakes the shutter, to have brought to mind | 90 |
All those that manhood tried, or childhood loved, | |
Or boyish intellect approved, | |
With some appropriate commentary on each; | |
Until imagination brought | |
A fitter welcome; but a thought | 95 |
Of that late death took all my heart for speech. |
per attori scrittori musicisti cantanti pittori scultori cultori moda e arte sotto ogni forma formale e informale
lunedì 21 maggio 2012
In Memory of Major Robert Gregory
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