NOW that we’re almost settled in our house | |
| I’ll name the friends that cannot sup with us | |
| Beside a fire of turf in the ancient tower, | |
| And having talked to some late hour | |
| Climb up the narrow winding stair to bed: | 5 |
| Discoverers of forgotten truth | |
| Or mere companions of my youth, | |
| All, all are in my thoughts to-night, being dead. | |
Always we’d have the new friend meet the old, | |
| And we are hurt if either friend seem cold, | 10 |
| And there is salt to lengthen out the smart | |
| In the affections of our heart, | |
| And quarrels are blown up upon that head; | |
| But not a friend that I would bring | |
| This night can set us quarrelling, | 15 |
| For all that come into my mind are dead. | |
Lionel Johnson comes the first to mind, | |
| That loved his learning better than mankind, | |
| Though courteous to the worst; much falling he | |
| Brooded upon sanctity | 20 |
| Till all his Greek and Latin learning seemed | |
| A long blast upon the horn that brought | |
| A little nearer to his thought | |
| A measureless consummation that he dreamed. | |
And that enquiring man John Synge comes next, | 25 |
| That dying chose the living world for text | |
| And never could have rested in the tomb | |
| But that, long travelling, he had come | |
| Towards nightfall upon certain set apart | |
| In a most desolate stony place, | 30 |
| Towards nightfall upon a race | |
| Passionate and simple like his heart. | |
And then I think of old George Pollexfen, | |
| In muscular youth well known to Mayo men | |
| For horsemanship at meets or at racecourses, | 35 |
| That could have shown how purebred horses | |
| And solid men, for all their passion, live | |
| But as the outrageous stars incline | |
| By opposition, square and trine; | |
| Having grown sluggish and contemplative. | 40 |
They were my close companions many a year, | |
| A portion of my mind and life, as it were, | |
| And now their breathless faces seem to look | |
| Out of some old picture-book; | |
| I am accustomed to their lack of breath, | 45 |
| But not that my dear friend’s dear son, | |
| Our Sidney and our perfect man, | |
| Could share in that discourtesy of death. | |
For all things the delighted eye now sees | |
| Were loved by him; the old storm-broken trees | 50 |
| That cast their shadows upon road and bridge; | |
| The tower set on the stream’s edge; | |
| The ford where drinking cattle make a stir | |
| Nightly, and startled by that sound | |
| The water-hen must change her ground; | 55 |
| He might have been your heartiest welcomer. | |
When with the Galway foxhounds he would ride | |
| From Castle Taylor to the Roxborough side | |
| Or Esserkelly plain, few kept his pace; | |
| At Mooneen he had leaped a place | 60 |
| So perilous that half the astonished meet | |
| Had shut their eyes, and where was it | |
| He rode a race without a bit? | |
| And yet his mind outran the horses’ feet. | |
We dreamed that a great painter had been born | 65 |
| To cold Clare rock and Galway rock and thorn, | |
| To that stern colour and that delicate line | |
| That are our secret discipline | |
| Wherein the gazing heart doubles her might. | |
| Soldier, scholar, horseman, he, | 70 |
| And yet he had the intensity | |
| To have published all to be a world’s delight. | |
What other could so well have counselled us | |
| In all lovely intricacies of a house | |
| As he that practised or that understood | 75 |
| All work in metal or in wood, | |
| In moulded plaster or in carven stone? | |
| Soldier, scholar, horseman, he, | |
| And all he did done perfectly | |
| As though he had but that one trade alone. | 80 |
Some burn damp fagots, others may consume | |
| The entire combustible world in one small room | |
| As though dried straw, and if we turn about | |
| The bare chimney is gone black out | |
| Because the work had finished in that flare. | 85 |
| Soldier, scholar, horseman, he, | |
| As ’twere all life’s epitome. | |
| What made us dream that he could comb grey hair? | |
I had thought, seeing how bitter is that wind | |
| That shakes the shutter, to have brought to mind | 90 |
| All those that manhood tried, or childhood loved, | |
| Or boyish intellect approved, | |
| With some appropriate commentary on each; | |
| Until imagination brought | |
| A fitter welcome; but a thought | 95 |
| Of that late death took all my heart for speech. |
per attori scrittori musicisti cantanti pittori scultori cultori moda e arte sotto ogni forma formale e informale
lunedì 21 maggio 2012
In Memory of Major Robert Gregory
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